beerbongs & bentleys, Post’s sophomore release after his 2016 Top 5 album Stoney, was positioned to not just be a chart juggernaut but his first auteur statement-done on the highest scale and fully on his own terms. Singles like the celebratory, Quavo-assisted “Congratulations” solidified his status as a hit maker, with cosigns and collaborators from across pop and rap. The cloud-rap-rock imprimatur and irreverent frat boy persona the Texas-reared singer had cultivated since his initial monolithic breakthrough, the 2015 featherweight trap anthem “White Iverson”, had already drawn in millions of listeners across the world. In 2018, no one could tell Austin Post what to do. Scott’s smoky Auto-Tune isn’t the most natural accompaniment to an eerie Black Sabbath-esque riff and scorching guitar solo, but, somehow, it works. But the most unlikely collaboration on the album-and possibly of 2019 as a whole-can be found on “Take What You Want”, featuring Travis Scott and Ozzy Osbourne. Kanye West co-wrote (but doesn’t appear on) “Internet”, a rejection of social media and technology which blooms into a majestic orchestral arrangement. “I want to do something weird and funky,” he tells Lowe, preparing listeners for the album’s more surprising moments. Each artist takes turns airing dirty laundry and singing the chorus: “Said you’d take a bullet, told me you would die for me/I had a really bad feeling you been lying to me.” “Staring at the Sun” is a gorgeous synth-pop collaboration with SZA about the final throes of a doomed relationship: “If you keep staring at the sun, you won’t see what you have become/This can’t be everything you thought it was, blinded by the thought of us.” Future and Halsey feature on album highlight “Die For Me”, a slick, bitter attack on a lying ex-lover. “And they come up to me to say something like, ‘Hey, I don’t want a picture, I just wanted to say your song saved my life.’” Beneath the Versace boxers and mink coats, Post is clearly wounded, and breakup tracks abound on the album’s more down-to-earth, relatable side. “It means a lot that if somebody is hundreds of thousands of miles away, they can sit and relate to the music,” he says. It’s fun to hear about Post’s opulent lifestyle, but he knows his fans, and he knows how to connect with them on a more grounded level. “Allergic” and “A Thousand Bad Times” are bouncy and melodic, and “I’m Gonna Be” is a joyous celebration of having fun and living your own truth. But it’s also more sentimental, gentle and pop-focused than ever. Sure, it’s filled with all the flexing and bravado he’s known for, and features from Meek Mill, Travis Scott, Young Thug, Swae Lee and more prove that Post hasn’t veered too far from hip-hop. His third full-length album, Hollywood’s Bleeding, is bright and adventurous. It’s somewhat unconvincing coming from one of the most popular artists on the planet, but whatever he’s doing, it’s working. 10, respectively.“I’m not trying to make anything massive, I’m not trying to make hit records,” Post Malone tells Apple Music’s Zane Lowe. The One Direction member’s “Watermelon Sugar” and “Adore You” made the cut at No. Pop star Harry Styles was the lone artist who isn’t a rapper or R&B singer to secure a spot in the Top 10. Post Malone’s 2019 single “Circles” also carried over into summer 2020, settling in at No. 5 despite originally being released in 2016. 4) and her Cardi B collaboration “WAP” (No. 3 with his guest appearance on Jack Harlow’s posse cut “WHAT’S POPPIN (Remix).” Megan also notched two spots in The Top 10 with her Beyoncé-assisted “Savage (Remix)” (No. Billboard tracked 15 weeks starting from the chart dated June 6 to the chart dated September 12.ĭaBaby scored two entries in the Top 5, topping the chart with the aforementioned “ROCKSTAR” and landing at No. 1 in a Top 10 featuring Megan Thee Stallion, The Weeknd, Doja Cat, Nicki Minaj and more.Īccording to Billboard, its annual Songs of the Summer chart calculates “the cumulative performance on the weekly streaming, airplay and sales-based Billboard Hot 100 chart from Memorial Day to Labor Day.” For 2020, this time period lasted from May 25 to September 7. DaBaby and Roddy Ricch’s “ROCKSTAR” collaboration led the way at No. Hip Hop and R&B dominated Billboard’s Songs of Summer chart in 2020.
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